Giovanni F. Accolla 、 Franco Cardini 、 Domenico Del Nero 、 Giordano Bruno Guerri 、 Gennaro Malgieri 、 Gennaro Sangiuliano 、 Mirella Serri 、 Marcello Veneziani。
I wish I had some of the genius of the German painters of the past who could perfectly convey the poetry of a nocturnal street, close to the countryside, among country houses lit by the faint light of lanterns.
It’s a question destined to remain rhetorical: which futurist could make the subject of one of his paintings the tiny house in the Vienna suburb of Heiligenstadt, where Bonn’s cyclops Ludovico van Beethoven lived After some of his vacation?Or again: Who could have designed this deadly little mansion in true futuristic spirit, with the most revered postcards, paintings, illustrations and even what seems to be a pre-vote for a new cult paying nine symphony heroes?
Why did the futurists have to paint this tiny house?Are the numerous German pattern postcards not advanced enough?Not enough of the woodcuts of the great Viennese Secessionist Carl Moll – they are invaluable works, an Oder who had ties to the 19th century but lived far beyond the time constraints of Futurism German?
And Mohr’s beautiful oil paintings are not enough, the house is partly in two bodies overlooking Pfarrplatz, trees with leafy spring foliage, two doors of rustic yet solid elegance, and lanterns ready to be offered to passers-by, from his faint Lights through March nights here?
There are real reasons, and not many: stay in the concise space of a few pages of documentaries, if you want to enumerate them in writing, I will summarize them in a few periods: In Umberto Boccioni In the famous triptych, dedicated to leaving: a painting called “Those who go”, then a painting called “Those who stay”, and the table “Farewell” has a matrix, The leading art historian Beethoven stated in a study of futurism: from a famous Cyclops piano sonata.
Once again, Boccioni’s great youth partner, his travel partner in France, his partner in the famous group of Lombard cycling volunteers that operated at the Casino Dossos in the first year of the World War: Mario Sironi, Passionate The record collectors, the more refined listeners, of Beethoven’s compositions in the era of the trumpet gramophone had been transposed on the grooves of those round vinyl cymbals to slide under the needle.
I see no need to go beyond the hidden cause of this strange question: it is basically a flicker of the amateur’s imagination, and certainly not the musing of a serious scholar: it must satisfy us, and if need be, read the following to…
So the question is to start here and stay on the page of what Schopenhauer calls “entertainment literature”.
In early January, in the retreat of a village called Gavinana on the northern hills of the Limestre valley in the upper Pistoia region: I found two strange documents in the kitchen of the house, dated 1942, one of the excellent The prose writer Silvio Platen tells in a very concise but effective style the decisive adventures that take place in Russia after Napoleon of the Italian Legion on the orders of Prince Eugene and Prince Murat.Battle of 1812!
It was really fascinating to read this well-written military essay, and it actually led me to discover a page of history that was somewhat overlooked in our school curriculum.Here, passages that are no longer intelligible in Alessandro Manzoni’s hymn to the facts of 1821 become clearer.I remember just to keep our theme, this hymn was dedicated to Teodoro Corner by the author of the fiancé, a young patriot who became a hero in the Prussian war with Napoleon in 1813, He was a dear companion to the eldest son of a musician.Ludovico van Beethoven!From the reading of the above article, the less explicit corners of our poet Leopardi’s song “all’Italia”, in other pages of my diary, greet me in pure Beethoven spirit!
Glad to have found this strange page of history, I wanted to write a summary of Platen’s good article myself, I started at night, on the kitchen table, in the flames of the oil stove, filling the flying paper with thick pencil notes piece.A yellowed notebook, forgotten for years in a drawer at Gavinan’s house.
The job of detailing the memorable facts of that distant military campaign was indeed tiring for an hour, writing a scribble, always with a pencil, on the back of a sheet I was gradually running out of.
Even doodles from a certain point, having to obey the discipline of pausing, it is appropriate to order a “gist” to provide a minimal rationale: so after some impromptu and useless sketches, I must have flashed, after countless times While writing about Heiligenstadt’s famous tiny house, this question provided substance to the article.Being able to isolate the moment this idea arises and return the details of its exact image, strange or not, I can’t give, and then everything is lost in a series of ideas… Anyway suddenly, I thought, How exactly did Heiligenstadt’s tiny house be designed in a futuristic style, or, by further inference, how would a futurist artist design this “music hall” mansion?
Then I took the question even more hastily, which ended up being posed to me in the last term, which I think is wiser in the nonsense that it can’t possibly have any real answer but is just an imaginary answer.Yet it is not useless to go on, albeit exposed to the pity smile of the scholar or the artist who keeps inventing…
Finally, here it is: Who in the futuristic style can best “hear” the poetry of Cyclops’s mansion?I tell myself and my readers briefly: they are designers, there are three of them, they are Umberto Boccioni, Gerardo Dottori, Mario Sironi.This is my intuition, so I give up expressing the rationale for taking on a useless task, I believe, and at the same time justify this sensible and pointless thing.
The Boccioni of the small house will see its movement in the “rising” metropolis: not the small house, we recall, moving and revolving like a planet around the sun in the capital, growing disproportionately: the challenge is the age of the small temple and Still the “muse’s navel” equals itself, while it is the metropolis, which must move in orbit around it, surround it without suffocating it!The mighty dynamism of the Cyclops sacred music is fearless because the music is an antiquated poem…and those continuous drum beats make the symphony rhythm (now I imagine Furtwängler conducting his Berlin Philharmonic and Gates Gerberg conducts the orchestra of the Concertgebouw in Amsterdam!) And beaten without any punishment, with a good racket, they give full confirmation: everything here is poetry beyond time: Eroica, Quinta, Pastorale , Seventh (is this just the dance that deified Wagner wanted or more?), Octave’s Reason and Mysterious Wrath, the first three moves of Nineth.Here, drum beats produce flashes and meandering light, music bursts through walls, radiation overwhelms…
And a doctor?He will see an overview of it from above; as a Perugia-based air painter, he can only start with the sound of the pastoral!You have ascended until you hear the third movement of the Ninth Symphony at the height of the eagle, and in its slow leap, like the eagle searching its territory, you will see Heiligenstadt’s little House!Now, as the day fell, the first stars lit up, and soon night came, and in the light cone of a star in the sky, the little house gleamed: the roof had rusty brown tiles, the walls were white , they are celestial and cover the openings: only one of them illuminates the light lit on the piano: the Cyclops is still awake, composing in silence…
Outside, the light of the stars casting glowing cones is aided by modest lanterns that also illuminate tree-lined squares, doors, church corners, spired skylights and octagonal facades naked!There is silence all around, the sky is dark, and from afar, the metropolis disappears, and you see only the hills of the Vienna Woods, the canals that pass through the flowered valleys, and slowly on the plains you see the silver snakes of the Danube The travertine flows… in the distance are other reliefs and other plains…
Sironi of the small house in Heiligenstadt will see its distant glory in future generations, now scattered in solitude in the desolate suburbs!Heiligenstadt, in 1819 four kilometers from Stephansdom, which houses the masterpieces of master Antonio Pilgram, is therefore located in the open countryside; today it is on the outskirts, the metropolis has Rise, It’s This, Periphery, Now and Alive Season and its Voice: We Can Adapt Leopardi’s Infinite Verses!
Sironi would paint it, the little house, in a hasty unexpected perspective, would stand out architecturally and be dominated by a cloud of clouds…like a return to the beginning of “spiritual existence” Landscape, a trade worker, but no longer for the usual long meditation: the reason for our existence to which we are thrown…
At this point, I’ll let the fairies of the chariot wander, transcend, needless to say, don’t go, readers can continue on their own, if they like, weird and pointless historical-art conjectures.
Instead, returning to the facts worthy of serious investigation, we could write a learned memoir about the so-called family cult of Holy Beethoven!Years ago, our Bucaroli wrote a golden volume called “The House of Beethoven,” and as we know it today, the Italian school of this investigation was unveiled.In this booklet there are six paintings by the author who later established himself as the great biographer of the “Tondichter” born of the muse of Bonn: six simple pen drawings, Buscaroli removes all assertions of art Well done, but forgot to remove any claim to “beauty” from them: this is an indovinatissimo oversight, because if anyone wants to know how to communicate, digitally, represent real poetry with images, it’s like Speaking of “beauty”, you can take these easy pen sketches for example!
How does each hour progress when researching this real cult?It’s hard to tell from this somewhat amateurish perspective: a cult, however, seems to be intuitively insinuated by the persistently delicate veins exhibited by amateur painters, art school students, recognized masters of paintbrushes or engravers for a hundred years or more.Depicting humble homes that find themselves hiding genius within their walls – sometimes even reduced to smoky taverns as a result of the homeowners deliberately leaving drafts of defective fireplaces in order to make as much money as possible from very distinguished tenants.
We need an Eliade, Leopoldo von Schröder, Karl von Spiess to help us fully understand these pre-voting phenomena that actually become religions: design houses where the figurative motto is the motto on the square Heiligenstadt!Perhaps it has the same devotional value as the small miniature horses found in the ancient shrine of the Lady of Resia in Veneto?
and devotion to what?There is of course a number in Cyclops, which the Muses have unequivocally confirmed all year round, but why paint this little house at the moment, where he lives perennially plagued by mean and inept masters, often surrounded by secretaries and maids tendencies In dishonesty?Beethoven never owned his own house!As if with a hint of sarcasm: the temple was lent to God!Or: In Olympus, it is sometimes necessary to stay and rent out…
Affirmative tracking of proposals for serious investigations has been halted due to a lack of arguments backed by undisputed documents spanning time and every field of science.There’s little to be sure that this intuition isn’t far-fetched, it’s not like a mighty bird of prey that suddenly jumps from its nest and falls to find it has the stubby wings of a chicken.But this one isn’t that disarming qualitatively: it comes from poetry.
Here is a memorial page for Franz Grillparzer: a young man just over 12 who found himself spending several summers in the same house where the Cyclops lived in other rooms. For the holidays, as the biography says, let him move with a few of his household items and a piano.One afternoon, the poet’s mother returned to the house after shopping and climbed the public stairs. She heard beautiful music coming from the room where Beethoven lived: her mother was kidnapped, she wanted to sit quietly, and the steps were full of piles. A cluttered shopping basket so as not to miss a note of the music escaping through that iron gate.Cyclops was composing, but playing the notes of the instrument, the sound passed through the door, through the walls of the country, then through the stairs and the inner courtyard he created for others to use, while opening a station, a new gigantic “genius place” “Future Worship.
I am attaching three ink sketches, in fact, these sketches are on the back of the heroic deeds of the Pinot division, the Villata cavalry, the Tuscan, Piedmont and Parma infantry, among them Mitravaruna Napoleon’s Ajaccio – for some time the Third Symphony has been dedicated – as mentioned in the St. Helena Memorial.The story of the Battle of Malo-Jaroslavez disappears into the faint strokes of the pencil, which the reader can recognize on the paper, the first being a “Boccionian” suggestion, the second a cone of light in the dark, already seen in the doctor’s paintings , and finally the accidental and stylized perspective that always appears in Mario Sironi’s hasty and effective sketches…
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