Covington Water District Puts Lost Energy to Work with Hydropower | Lined Disc Wafer Butterfly Valve

In addition, the company has seven vertical borers with a maximum turning capacity of 2,650mm diameter by 1,900mm high.

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Tom Downes, Tuesday, 6:30pm – 7:30pm 8 weekly sessions beginning Tuesday, September 26, 2017 A class in traditional Irish piping on the practice chanter, especially for kids. This class requires an instrument.

“We discovered that the size and the location of the calcified deposits on the leaflets have a big impact on how well an artificial valve will fit into a calcified one,” said Hosny, who is currently at the Dana-Farber Cancer Institute. “Sometimes, there was just no way a TAVR valve would fully seal a calcified valve, and those patients could actually be better off getting open-heart surgery to obtain a better-fitting result.”

—Michael F. Czyszczewski, PE (mczyszczewski@asme.org) has 40 years of experience with the design and specification of power plant components.

Join us for an authentic Oktoberfest experience! $20 per person includes entrance to the festivities, 2 mugs of beer, & pretzel necklace! There will be a live DJ, plus traditional German fare and drinking songs!

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"It all started as a hobby", Marcus Strickland says of his beat making. "It was what I did after playing sets with Roy Haynes or Jeff ‘Tain’ Watts" or on a break between practicing saxophone etudes. It started separately, and naturally became one with my voice as a composer and saxophonist." Marcus Strickland’s debut Blue Note/ Revive Records release Nihil Novi (Latin for Nothing New) is about our relationship with time: how many things in the world can seem new, but are actually cyclical occurrences or developments from where the past left us off. From 2 Live Crew to Twerking, and Rodney King to Eric Garner, be careful what you call new. The multi reedist/ beatmaker made this record with a strong and inspiring urgency that is inclusive of, yet not exclusively from his jazz roots. "A musician does not grow from forcing themselves into a vacuum. Genres eventually cross pollinate, making our ability to be in the present more relevant than the original given terms. Creativity does not stay within lanes, it feeds off of its surroundings." However, Strickland has a deep rooted respect and admiration for his predecessors, and it shows in his music. "One great tool that we have to navigate the present is culture. Culture, being the culmination of our triumphs and failures, gives us an advantage when dealing with similar situations, and it reminds us of what is important. So for me Nihil Novi is just a reminder to me of what’s mostly important to me, musically and emotionally. I just want it to feel good. When I made the beats that inspired this record I was entrenched in J Dilla, Mad Lib, Slum Village, D’Angelo. I learned from them how to add and subtract layers for an overall affect, how powerful even the most subtle melodic line is when it is absent." "The many layers, pre-production, and the need for fresh ears to this music were the reasons why I wanted to work with a producer on this venture." Says Strickland. "It’s impossible to learn how to produce without working close with producers, so I mustered up the courage to ask one of the most well regarded of my heroines to produce this record, Meshell Ndegeocello." The genre-less, bass guru, songstress, producer generously accepted and immediately allotted the tracking, mixing and mastering to highly regarded sound wizard, Bob Power. DownBeat Critic’s Poll winner Marcus Strickland has steadily proven to be an essential part of the jazz continuum since he stepped on the scene in the early 2000s. He will present his Twi-Life group at The 2013 NYC Winter JazzFest; a highly anticipated annual event which showcases over seventy new and established groups in tandem with the Arts Presenters (APAP) conference. Twi-Life, an electric band with its inception rooted in the soul music Strickland grew up listening to, is a testament to his irrepressible versatility. "It seems, so far, that every Twi-Life band will be signi?cantly different than the next because it is my refuge for trying out my wildest ideas," says Strickland, who is emerging as one of the most multi-faceted and proli?c writers and performers of his generation. His genre-bending propensity has produced fascinating and unconventional collaborations and this time around is no different; the members of this eclectic ensemble have worked individually with artists like Kanye West, Bilal and Art Blakey and the Jazz Messengers. The group includes the wide-ranging talents of hip-hop lyricist, DJ and Berklee professor, Raydar Ellis; legendary trombonist, Frank Lacy; dexterous keyboardist Yuki Hironao; The Roots’ newest member, bassist Mark Kelley; dynamic drummer Charles Haynes; and special guest, singer-songwriter Jean Baylor, formally of the hit- making 90s R&B duo, Zhané. Strickland’s development as a producer is the nexus of this project whose music comes mostly from taking his beats and applying acoustic instrumentation and improvisation. "Once you combine the many textures, layers and number crunching of [drum] programming with human spontaneity, the possibilities are in?nite and it becomes yet another instrument for human invention."

This project further builds upon Neptune-Benson’s success in Korea; this will be the eighth Defender® installation in the region.

The cast iron bodied wafer butterfly valves are available with lever handles or gear operators in sizes 2in to 8in with ethylene propylene diene monomer (EPDM), nitrile NBR or Teflon seats. The 10in and 12in valves come standard with gear operators for EPDM and NBR seats, and a 10in gear operated valve is available for the cast iron body / Teflon seat.

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