Abstract: In one embodiment, a method includes determining a number of initial servers in a massively parallel processing (MPP) database cluster and determining an initial bucket configuration of the MPP database cluster, where the initial bucket configuration has a number of initial buckets. The method also includes adding a number of additional servers to the MPP database cluster to produce a number of updated servers, where the updated servers include the initial servers and the additional servers and creating an updated bucket configuration in accordance with the number of initial servers, the initial bucket configuration, and the number of additional servers, where the updated bucket configuration has a number of updated buckets. Additionally, the method includes redistributing data of the MPP cluster in accordance with the updated bucket configuration.
Sol LeWitt (American, 1928–2007) executed drawings by hand throughout his life; in 1968 he extricated his work from the confines of the frame and transferred it directly to the wall. The wall compositions were designed for limited duration and maximum flexibility within a broad range of architectural settings. Initially executed by drafters, these works in their finished state were most often slated for destruction. A seminal practitioner of Conceptual Art, LeWitt emphasized the creative idea that generates a work of art, as opposed to the work’s material existence. "For each work of art that becomes physical," he wrote, "there are many variations that do not." Sol LeWitt’s 1982 Wall Drawing #370: Ten Geometric Figures (including right triangle, cross, X, diamond) with three-inch parallel bands of lines in two directions was installed at the Museum over a period of four weeks. The drawing will be on view in its complete state through January 28, 2018, when it will be painted over.
Watson Adventures’ Wizard School Scavenger Hunt for Harry Potter Fans – Metropolitan Museum of Art Through September 30, 2017 – Upper East Side
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Hissein Habré, a Chadian Tragedy. 2016. Directed by Mahamat-Saleh Haroun – MoMA : Museum of Modern Art September 27, 2017 – New York
Sound familiar? I will freely admit that the Apollo mission was driven by the Cold War and fear of the Soviet Union, but sometimes the fruit of efforts with dubious beginnings ripens into something that far exceeds the reasons for planting the seeds. For a period of a few years, time and again, we hurled men into space on a days-long journey to our nearest astronomical neighbor, seeing what humans could do, and learning vast amounts about science… and all the while creating new engineering to do it. We owe a huge amount of our technology today to those exploits.
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I like the idea of them being the hoaxers or being hoax-ed, though. Ask them if it’s possible that the Moon landings were real and some super secret group is trying to plant doubt to make people *think* they were faked. Of course, by “super secret group”, I mean the conspiracy theorists themselves, but conspiracy theorists need a “super secret group” to oppose. End with “You’re not foolish enough to fall for the Super Secret Group’s Moon Landing Hoax Hoax, are you?” Then sit back and watch their brains explode. ð

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No. Remember, these images are being taken by a satellite about 50 kilometres away, travelling at a couple of thousand kilometres an hour. Frankly, I think that’s pretty good.
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