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Scientist are not that arrogantly certain that we have a “man made global warming catastrophy on our hands” and “only 5 years to save the planet”!

I take the moon hoaxers about as seriously as I did the premise behind Apollo 18. Which is to say, not at all, as in zero, nada, zilch.

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Storytelling in the Park – Central Park, Hans Christian Andersen Statue Through September 30, 2017 – Upper East Side

What is your basis for the claim “that fossil fuel δ¹³ ratio and land plant δ¹³ ratio is equivalent” is meaningful? How are they equivalent? How does that equivalence appear under Kalman filter double deconvolution?

Madison Square Park Conservancy is proud to announce its thirty-fourth exhibition, Prismatic Park by artist and MacArthur Foundation Fellow recipient Josiah McElheny. The project features three large sculptures of painted wood and prismatic glass on view in Madison Square Park from June 13, 2017 through October 8, 2017. The outdoor exhibition will comprise three exquisite sculptures in painted wood and prismatic glass: minimal, almost architectural forms that will create new spaces within the Park for the creation of music, dance, and poetry: a curvilinear, translucent blue sound wall for experimental music; a circular, reflective green floor for vanguard dance; and a vaulted-roofed luminous red and yellow pavilion for poetry. Each will refract the surrounding natural light, beckoning the passerby and regular Park visitor. The three structures will form open, stage-like platforms—in both the physical and metaphorical sense—for the collaborating choreographers, dancers, musicians, and poets who will be working next to them, on them, and under them in the summer of 2017. Throughout the exhibition, three nonprofit art organizations based in New York—Blank Forms, Danspace Project, and Poets House—will "inhabit" the Park to realize new commissions. The resident artists will create ambitious new work that summons the potential for imagination, creativity, and performance inspired by spontaneous audiences and chance encounters that only a public place, like an urban park, can offer. McElheny’s sculptures are there to galvanize new movement, sound, and language. He has also offered the participating artists a prompt to consider the Park not only for performances, but also for rehearsals or even impromptu workshops. When not occupied by the resident artists, the public will have access to the sculptures to view or to adopt as a framework for their own innovative use. Interpretive materials, including dedicated Prismatic Park signage, a weekly free poster with images inspired by the commissions, a scholarly catalogue, and the Conservancy website will allow visitors to reflect on how public spaces can become sites to articulate diverse civic values including creative expression and chance meetings. In recent years, various parks have been especially important as sites for political assertion, such as Gezi Park in Istanbul, Tahrir Square in Cairo, and Zuccotti Park in New York. McElheny takes impetus from the activism of recent years, but Prismatic Park reconceives this ferment as an idealistic, almost utopian concept for the shared responsibility towards a public site that still allots space for the highly individual, unique voice. Josiah McElheny (American, b. 1966) holds a distinct role in the contemporary art field. He works in a range of mediums, including sculpture, installation, film, writing, and performance. In Prismatic Park, McElheny continues his examination of the way the transparency of glass is strongly linked to ideas within Modernist art, architecture, and philosophy. In this project he proposes that public sculpture might become a catalyst for the creation of new works by augmenting physical presence with the construction of shared spaces. Madison Square Park’s 6.2-acre site welcomes more than 60,000 daily visitors—a richly diverse audience including local residents, families, public school groups and day camps, office workers, students, artists, and international tourists. Josiah McElheny emphasizes that this project is one of shared effort, between himself, the Park, the collaborating artists and, not least, inhabitants of and visitors to New York. "One of the most urgent societal issues today is how can we best share what little public space is left to us. Prismatic Park attempts to provide a partial answer to this question by suggesting that the arts can expand existing public spaces through the visionary efforts of individuals and small groups, creating works of art, dance, music and poetry in the middle of our city." "Our program of public art continues to push the boundaries of this field. Josiah McElheny’s Prismatic Park is a hopeful use of a Park site where sculpture and performance will seamlessly unite for the tremendous benefit of Parkgoers," said Keats Myer, Executive Director, Madison Square Park Conservancy. "We are delighted to have this project on view in the summer of 2017 and to collaborate with our colleagues at Blank Forms, Danspace Project, and Poets House." Brooke Kamin Rapaport, Director and Martin Friedman Senior Curator, Mad. Sq. Art, said: "Josiah McElheny’s Prismatic Park scrutinizes and poses alternatives for the use of public space for a democracy, for solidarity, for optimism. This project takes the impetus from recent activism in public parks and squares, but its core comes from an idealistic, almost utopian, concept of the optimism for the shared responsibility of a public site by people and the artist’s role in solidifying that contract. By making three stunning prismatic glass works and by partnering with three nonprofits, McElheny is positing his works as platforms for questions of how sculpture can revamp other disciplines." A celebrated series of sculpture exhibitions by living artists, Mad. Sq. Art was launched by Madison Square Park Conservancy in 2004 to bring free public art programs to New York. The program has received extensive critical and public attention since its inception and has developed into a world-class cultural institution. Its ambition and scale expands each year alongside an increasingly diverse range of innovative, world-class artists. Join the conversation on Twitter and Instagram via the hashtags #MadSqArt, #JosiahMcElheny and #PrismaticPark. For more information on Madison Square Park Conservancy and its programs, please visit https://madisonsquarepark.org. Images: Josiah McElheny, Proposal for Prismatic Park, 2014. Wood, steel, and prismatic glass, 32 x 10 x 4.375 feet (wall); 32 feet diameter (floor); 13 x 10 x 10 feet (pavilion). Collection of the artist, courtesy Andrea Rosen Gallery. © Josiah McElheny

Photovoltaic is not cheap and it is not clean. It in fact has a larger carbon footprint than fossil fuels alone. That is fundamentally because the PV cell takes more energy to manufacture than it will ever return during its entire service lifespan. That trade off is certainly acceptable in space, and the PV cell was first used to power the Vanguard satellite in 1959 for that reason.

The equipment in the powerhouse is routinely overhauled, as well as having the station step-up transformers replaced. The output of the project is wheeled through another utility’s transmission system to an interconnection with Public Service Company of Colorado’s transmission system. The generator also provides needed voltage support, is black-start capable and can produce enough generation in an emergency to power critical facilities in the area for many weeks should normal transmission be lost.

Governors Island Art Fair – Governors Island – Colonels Row and Liggett Hall Through October 01, 2017 -

Rabbi Elka Abrahamson As president of the Wexner Foundation, the nation’s preeminent interdenominational training institute for Jewish leaders, she understands and is committed to serving and celebrating the broad spectrum of beliefs, traditions and practices that are represented in American Jewry—a commitment that has always been a hallmark of 92Y’s High Holiday services. Elka was ordained at Hebrew Union College—Jewish Institute of Religion and comes to us after ten years as High Holiday Rabbi-in-Residence at Chicago Sinai Congregation. Elka is looking forward to helping us create a space in which we can explore the deep themes of the High Holiday—reflection, atonement and renewal—as a community. Together, we will weave the familiar sounds and rituals of our ancient Jewish tradition with contemporary perspectives that help us to make sense of our lives in a complicated and challenging world. Josh Nelson Josh brings his extraordinary message of hope, unity and spirituality to concert stages and worship services across the globe. Returning to 92Y for his 8th year leading our High Holiday services, Josh is a gifted multi-instrumentalist and songwriter whose work is celebrated and integrated into the repertoire of congregations, camps and communities around the world. Josh is overjoyed to welcome Rabbi Elka Abrahamson to guide our community through the New Year.

Set in the Wild West, where Frank Butler is the sharpest sharpshooter around and the heart-throb of Buffalo Bill’s travelling Wild West show. He’ll take on any challenge… and win. That is, until Frank meets his match in the rough and ready tomboy sharpshooter, Annie Oakley. Romantic sparks fly, but as long as he is competitive and she is stubborn the course of true love never will run smooth. Irving Berlin’s score filled with memorable hit songs, including“Anything You Can Do, I Can Do Better,” "They Say It’s Wonderful", “I Got the Sun in the Morning,” Doin’ What Comes Natur’lly ,”and the show-stopping hit, “There’s No Business Like Show Business.”

[G06F] ELECTRIC DIGITAL DATA PROCESSING (computer systems based on specific computational models G06N)